This is an exhibition with good intentions.
It is about images and wonders how images of all kinds operate
optically and psychologically. Beyond objecthood and materiality,
the exhibition focuses on the process of meaning-making.
This exhibition uses form as an instrument, a communication;
rather than an object of contemplation. There’s no landing, there’s no arrival; an image—like an exhibition—is not an end result. And there lies its charm.
What would it mean to visit an exhibition on photography today, when imagery is mostly
produced,
distributed,
circulated,
consumed
in digital environments?
Speeding up-Production-Commodification-Digitisation-Consumption-Production-Consumpt-
This exhibition believes in the urgency of slowing down.
It is a place for events rather than things.
It comes with a manifestation book
Yet it does not propose a fixed definition; in fact it is offended by any attempt to define itself.
It is an open manifestation that embraces ambiguity and the
contradictory.